by Alex Fidel
Jason Becker had a concert at Slim’s in San Francisco to remind the world that he’s not dead yet!
Jason Becker’s story starts out when he first picked up the guitar as a little kid. He would play Bob Dylan tunes, then Jeff Beck, and right around the age of 16, Paganini. This landed him a deal with Shrapnel Records, the famous shred guitar label, which was a partnership with Marty Friedman (ex-Megadeth) in a band they called Cacophony. Their first record, Speed Metal Symphony, was a neo-classical progressive metal breakthrough, and was released when Jason was 17. Soon after, Becker and Friedman recorded two separate solo albums, Perpetual Burn and Dragon’s Kiss (respectively). They did guest appearances on each others works, and then recorded a second Cacophony album, Go Off! They toured, and Cacophony disbanded. Marty Friedman went off to join Megadeth, and Becker joined David Lee Roth. Unfortunately, this was right around the time Jason started to feel a limp in his leg. He got it checked out during the first week of DLR rehearsals. The biopsy revealed that Jason had Amyotrophic Lateral Sclerosis- ALS or Lou Gehrig’s Disease. He would soon lose the movement of his entire body. He did manage to finish recording on David Lee Roth’s A Lil Ain’t Enough record, which went gold. Jason was not able to tour, so he went back to writing and recording mode.
He began to lose the movement in his legs, and was confined to a wheelchair. He played, recorded, and composed what he could on guitar until he couldn’t even lift it with his hands anymore. He then switched to a keyboard. When he lost use of both of his hands, he used the movement in his head to compose the rest. His friend and producer Mike Bemesderfer set up a motion sensor visor, in which Jason would move his head to move a mouse on the computer, and use his jaw to click. He did that until he finished composing the remainder of his album Perspective.
After that, doctors had told Jason he had 3 years to live. Three years later, Jason was still going strong. He could no longer move any part of his body, and had to have a breathing tube installed. His dad came up with a form of communication, an eye-geometry system for Jason to communicate with his eyes. There are two eye movements- one for a box, and one for a letter in each of the various boxes (VIDEO).
He soon began composing again, only this time he had to communicate his ideas directly using this eye communication method to a translator. This ended up being three tracks on his latest release, Collection, in which Steve Vai, Joe Satriani, Steve Hunter, and Marty Friedman, to name a few, played what Jason had composed, which were “River of Longing”, “River of Longing (Reprise)”, and “Electric Prayer For Peace”.
It was soon announced that Jason would be planning an event in San Francisco with some guitar giants, and that some filmmakers were starting to plan a documentary about Jason. This turned into Jason Becker’s Not Dead Yet Festival at Slim’s and Perpetual Burn: The Story of Jason Becker.
I got into SF right before 5PM, as that’s when the limited access meet & greet was supposed to start. As I was driving past Slim’s, there was Jason going along the sidewalk into the front entrance. That was unreal! I almost swerved into oncoming traffic, but I soon went looking for parking. I wasn’t the best driver in the Costco parking lot either, I was so excited. I then ran like hell, but we weren’t let in until 5:30. In the meantime, I got to say hi to Mike Varney (owner of Shrapnel Records) as he was helping Jason’s father park the handicap van in front. You want to talk about an awesome dude, Gary Becker is right there in the dictionary definition of ‘awesome dude.’ Then Dave Lopez (of the band Flipsyde) directed us to the back entrance, where we’d get a chance to talk to Jason and take a picture with him in a whole professional studio setup.
As soon as I got to the front of the line, a huge grin burst out across my face. I get to meet my all-time hero. I got to have a heart-to-heart moment with Jason, and someone from his family translated for me. I then took a picture and was off on my way. I got a free special edition Jason Becker tin filled with JB guitar picks, when all of a sudden Marty Friedman pops in. I had a feeling he was going to come, but it was unannounced. Either way, I didn’t know what he was going to be doing there.
I had to leave the club because they were setting up. I was waiting in line for will call, when I noticed this figure standing in front of me. He had long hair, was pretty hefty, and had a distinguishable goatee that continued down his neck. I thought this figure was Gene Hoglan, drummer from Death (Individual Thought Patterns and Symbolic)! But he was wearing this Charlie Chaplin-esque Fedorah hat, and a black suit jacket. Not the type of threads you’d consider a metal legend to wear. He walked down the street and disappeared.
In line, the people from the Jason Becker documentary started to film people in line, and I got to say a few words for Jason, and I hope they were profound enough to be movie-worthy. I signed my release form, and the will call line opened, and I got my ticket. I was in the entrance line, when Jason Becker’s girlfriend walked by. She’s a super-gorgeous sex therapist, to give you an idea. Anyway, she says “nice sweatshirt,” since I was wearing my JB sweatshirt. A small event, but that definitely fit with the flow of the night, encountering all these great people from Jason’s life.
The line starts moving finally, and I look forward to not freezing my ass off and enjoying the show.
The first band to come on is a Van Halen tribute band called Hot For Teacher. The drummer looks braindead, and the singer is all fat, but somehow they put on an excellent show. I’m not much of an EVH fan, but I had a blast. I sang along to “Panama”, to give you an idea of how fun these guys were. The guitarist was using one of Jason’s guitars- the Peavey whose design was used in the new Jason Becker signature guitar made by Paradise Guitars. They closed the set with a cover of one of the David Lee Roth songs that Jason wrote, called “It’s Showtime!”
The second band to come on was called Flametal. The name comes from what they sound like- flamenco metal. They put on a killer performance. The first song they did, the drummer played on a box percussion instrument, and two beautiful flamenco dancers in nothing but flamenco skirts and flameno tops came out and gave a whole new dimension to the songs. Among their songs was an actual classic flamenco piece which originated in Spain.
Thought my Gene Hoglan anecdote was random? Think again! The next band to come up was Kehoe Nation, a sort of biker-type chicken-pickin’ country/hard rock band with the smallest hint of psychobilly with none other than Gene Hoglan of Death on drums. I was floored! I was standing two feet from him, and I didn’t even inquire to see if he was Gene Hoglan himself! They were a pretty energetic band and were really fun to watch. During a short period of silence, I yelled out “Rest in peace Chuck!” and Gene tipped his hat in recognition.

Jeff Watson played, and then Michael Lee Firkins took the stage. He’s a bit more blues oriented, but he played on Becker’s “End of the Beginning” tune since by then Jason couldn’t play guitar and could only compose what he had written prior to his illness (there are various demo recordings of Jason playing many of those licks himself when he was able to play). Firkins played two Hendrix tunes, “Purple Haze” and “Voodoo Child”. He played “Voodoo Child” almost entirely with a slide guitar tool (not an actual slide guitar, but the accessory you put on your finger), which gave it a very different feel and was a completely unique approach to Henrdix’s classic.

Greg Howe took the stage with his more straight-ahead rock style. The guy can shred, no doubt about it. His demeanor was very humble, which added a down-to-earth vibe to his tunes. He played one of his early songs as a tribute to Becker, since they all started out around the same time period.

Richie Kotzen had a brand of laid back rock with a pinch of Alice in Chains, and of course in a shred guitar manner. He did not use a pick, which was quite unique in a line-up of lightning fast players, although he did play quite fast.
Steve Lukather played a very beautiful song, which was sort of Vai-esque in that it was melodic soloing with a lot of feeling. It made me a bit drowsy, since it was getting late, but I enjoyed his skill and feel on the guitar nonetheless.
At this point, I do not know who was going to come on, since Marty Friedman showed up earlier, and I didn’t know what he was going to do there. Well, we were waiting for a while and then we hear the MC introduce Marty Friedman. He comes out, and gives a heartfelt speech for Jason, and then plays a beautiful solo with a pre-recorded background track. It was short, but very sweet. Marty Friedman is definitely a true talent.

It was about time for the Satchsquatch to come out and boogie for us. Joe Satriani tore up the stage, with his energetic stage presence, and his signature shaved head/sunglasses look. Him and Marty Friedman definitely gave me a second wind of energy, and to top it off, blues/rock guitar legend Steve Hunter came out and joined Satch for a few songs and guitar duels, which were all jawdroppingly amazing.

They then closed and the room cleared, and Jason was still there in the crowd meeting fans. I got a chance to talk to his father, Gary, and take another photo with Jason, this time taken by his mom, Pat (Jason blinked in this one, but it’s OK).

This concert left me with a whole new perspective on life, and I’m glad everyone supported Jason in the way they did. The show was completely sold out, and all proceeds from the show and the merch go towards Jason’s medical funds as well as a trust fund for his future medical security. You could see how excited Jason was by the look in his eyes, and by the small facial expressions he is still able to make.
If this story moves you, please donate to Jason through PayPal at pat.becker@intres.com or click here. You can also donate to ALS TDI. Visit Jason Becker’s official site, and be sure to purchase his albums!







